Speed-The-Plow

SPEED-THE-PLOW

DAVID MAMET

ON STAGE JULY 5

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David Mamet's savage insight into the morals (or lack thereof) involved with producing Hollywood blockbusters sees two executives gamble their integrity for profit, only to be complicated by a surprise dissenting perspective. In Mamet's hands, quaint notions of loyalty, integrity, and straight talk become mere pawns in this scathing comedy.

Directed by David Storch
Featuring Ari Cohen, Jordan Pettle and Sarah Wilson

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Background Notes

by Soulpepper Associate Artist Toby Malone

For a long period that encompassed the late 1970s through to the mid-1990s, David Mamet was the premier American playwriting voice of his generation. Plays including Glengarry Glenn Ross, American Buffalo, and Oleanna (all previously produced by Soulpepper) have entered the echelons of American classics as shrewd eviscerations of the preoccupations of contemporary capitalist society. Speed-the-Plow, similarly well-known but less often produced due to its focus on the Hollywood machine, is another such piece where morals, loyalty, and integrity are just a few items readily bartered for momentary gain. The play's initial notoriety came from an avalanche of press that accompanied the casting of pop singer Madonna in the role of Karen: derided as 'stunt casting,' the singer received positive reviews and brought increased interest in the work. The central figure of Bobby Gould, a selfish, ruthless movie executive, is a typically Mametian male, fickle, driven, and prone to selfish short-sightedness. Gould's behaviour as he juggles the priorities of his partner Charlie Fox and his secretary Karen is what is on trial here: the audience is invited to watch his machinations as his priorities shift and evolve based on what is most convenient or exciting at that moment. By play's end, it is easy to understand why Mamet followed up with a sequel named Bobby Gould in Hell.

Much like the title of Mamet's Oleanna refers to an obscure paradise where men rest and women work, Speed-the-Plow features a title which is a mental challenge in itself. A traditional term used to wish a healthy harvest, 'speed-the-plow' has served as allegorical impetus to works as varied as poetry, handcrafts, and music, and, in Mamet's case, refers to the hard work involved with turning over dirt and uncovering that which lies beneath: in Gould's case, a glimpse at a lesser-travelled road, one that he may not be comfortable approaching. Soulpepper is thrilled to reunite director David Storch with David Mamet following his stunning success with Glengarry Glenn Ross.