Salem, Massachusetts, 1692: a small, devout town is thrown into chaos with accusations of witchcraft and spiritual possession. Arthur Miller's explosive account of the famous Salem witch trials caused a sensation with its parallels to the Communist scares of the 1950s, and remains one of his most enduring classics.
Directed by
Albert Schultz
Featuring Akosua
Amo-Adem, Derek
Boyes, Oliver
Dennis Raquel
Duffy, Patricia
Fagan,
Michael Hanrahan,
Stuart Hughes, Qasim
Khan, Sarah
Koehn, Courtney
Lancaster, Justin
Many Fingers,
Diego Matamoros, Hannah
Miller, Nancy
Palk, Gregory
Prest, Mike
Ross, Paolo
Santalucia, Michael
Simpson, Maria
Vacratsis,
William Webster, Daniel
Williston and Joseph Ziegler.
by Soulpepper Associate Artist Toby Malone
One of master playwright Arthur Miller's best known works, it is important to remember that The Crucible was received largely unenthusiastically on its Broadway debut. A thinly-veiled critique of the controversial anti-communist trials led by Senator Joseph McCarthy, Miller's historical witch-hunt deliberately eyes the House Un-American Activities Commission's interrogation of key artistic figures over allegations of communist propaganda in the Hollywood film industry. The hysteria which accompanied the threat of communist infiltration splintered communities and ended relationships, including that of Miller and his long-time collaborator Elia Kazan. Kazan, who directed the original productions of Miller's Death of a Salesman and All My Sons, testified against eight members of the Group Theatre as former or current communists. This decision haunted Kazan for the rest of his life but it also prompted Miller to begin researching the Salem witch trials, where he saw a correlation. The historical fact is that between 1692 and 1693, over 150 Massachusetts citizens were arrested for association with suspected witches, while 19 were put to death. Miller used the snowballing effect of accusation, counter-accusation, and intimidation to highlight what he saw as the injustices of McCarthy's own witch-hunt. As Abigail Williams' story spiraled out of control, and John Proctor's past indiscretions became writ large on his reputation, the trials became bigger than a discussion of the supernatural and more about the human ability to consume oneself. Even without rapturous praise, The Crucible won the Tony Award for Best Play and stood as a powerful indictment of the day's political machinations. Miller, in turn, was called before the House commission some years later, and true to his ideals, refused to 'name names.' As the memory of communist fear recedes, The Crucible remains a vital document of the ways in which history repeats and how fear can push humans to their breaking point.