Soulpepper Perspectives: Travis Knights
I miss being asleep. I miss going about my daily life, blind to the weight of the current moment. The Black Lives Matter protests have awakened me. I am awake…
Read MoreTom Stoppard wrote Rosencrantz and Guildenstern Are Dead when he was about 26, which means I’ve got about two years to come up with something just as brilliant… I’m jealous……
Read MoreHow long have you worked for the Young Centre and tell us a little bit about what you do. I got my start by lightwalking for Soulpepper in 2008, and…
Read MoreHow long have you worked for the Young Centre and tell us a little bit about what you do. I started working at the Young Centre in July 2010 as…
Read MoreOne of my earliest theatre memories is sitting in the cold drafty back row of the Longshoremen’s Protective Union Hall in St. John’s NFLD watching A Christmas Carol. I don’t…
Read MoreHow long have you worked for Young Centre and tell us a little bit about what you do. I moved over from Ireland in January 2011 and got the position…
Read MoreSome plays are more open to interpretation than others and that creates opportunities in rehearsal that are both exciting and overwhelming. As a director, Daniel Brooks allows the actors room…
Read MoreOf the five creators in the room four of us are new parents and the fifth is so in touch with his inner child that he may as well be…
Read MoreHow long have you worked for Soulpepper and tell us a little bit about what you do. I’ve been with Soulpepper for a little over a year and a half…
Read MoreOn August 9, following The Crucible opening, Albert Schultz made a special announcement: A bench outside of the Young Centre would be dedicated to beloved company member Derek Boyes. Derek…
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