SHINE ON – Thoughts from Executive Director Emma Stenning, One Year On
Theatres have ghost lights for a reason. There was once a practical reality, of course, in keeping a dim glow in a place as trip-hazard-riden as a stage, but modern…
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How long have you been at Soulpepper and tell us a little bit about what you do. I’ve worked for Soulpepper for 10 years and as head of the props…
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John Shoesmith works at the University of Toronto’s Thomas Fisher Rare Book Library. Recently he contacted us with a very interesting item he found in the library’s archives. We have an…
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How long have you been at the Young Centre and tell us a little bit about what you do? I began volunteering as an usher when I retired in June…
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Tom Stoppard wrote Rosencrantz and Guildenstern Are Dead when he was about 26, which means I’ve got about two years to come up with something just as brilliant… I’m jealous……
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How long have you worked for the Young Centre and tell us a little bit about what you do. I got my start by lightwalking for Soulpepper in 2008, and…
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How long have you worked for the Young Centre and tell us a little bit about what you do. I started working at the Young Centre in July 2010 as…
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One of my earliest theatre memories is sitting in the cold drafty back row of the Longshoremen’s Protective Union Hall in St. John’s NFLD watching A Christmas Carol. I don’t…
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How long have you worked for Young Centre and tell us a little bit about what you do. I moved over from Ireland in January 2011 and got the position…
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Some plays are more open to interpretation than others and that creates opportunities in rehearsal that are both exciting and overwhelming. As a director, Daniel Brooks allows the actors room…
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