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How long have you worked at Soulpepper, and what has your job consisted of lately? I’ve been at Soulpepper since the summer of 2015.  I am General Counsel and Director…

Here are a few highlights of where you’ll find Soulpepper Academy members and alumni making news. Alexandra Lord (2018) is assisting Astrid Jansen with her design for Soulpepper’s for colored…

We caught up with Soulpepper Academy designer Michelle Tracey, fresh from working on It’s a Wonderful Life, to tell us about upcoming projects she is engaged with: I am very…

Award-winning director Daniel Brooks [A Doll’s House, 2016] is spending six weeks teaching the artists of the Soulpepper Academy. He sat down in the Young Centre atrium with Academy playwright…

I’ve been thinking about why I’m inside of a theatre working on Chekhov’s plays and it probably has something to do with the epochal shift in dramatic writing that his…

Donor history:  I donated to Soulpepper at the end of 2016, and it was my first donation to the company. However, I have been donating to various charities since I…

It’s always new. With theatre, with great writing, it’s always new. Old choices have to be reconsidered, new choices have to be made. Every moment has to be navigated through;…

How long have you worked at the Young Centre and tell us a little bit about what your job has consisted of lately. I joined the Young Centre this past…

It has been so interesting to work with Lorenzo as he designs a recording studio from the 1940s as the set for the radio-drama version of It’s A Wonderful Life….