SHINE ON – Thoughts from Executive Director Emma Stenning, One Year On
Theatres have ghost lights for a reason. There was once a practical reality, of course, in keeping a dim glow in a place as trip-hazard-riden as a stage, but modern…
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Sina Gilani’s version of Euripides’ Iphigenia at Aulis narrates a moment of stillness, in the horrifying progression of events toward ultimate (absurd) tragedy. This stillness, however, remains unstable. It is…
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Donor history: I’ve been a member of the Curtain Club for three years now, but a subscriber for much longer, as well as making regular donations to support the ongoing…
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How long have you been at the Young Centre and what has your job consisted of lately? 11 months now! Hard to believe… As Operations Services Coordinator for the Young…
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How long have you worked at Soulpepper, and what has your job consisted of lately? I’ve been at Soulpepper since the summer of 2015. I am General Counsel and Director…
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We caught up with Soulpepper Academy designer Michelle Tracey, fresh from working on It’s a Wonderful Life, to tell us about upcoming projects she is engaged with: I am very…
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How long have you worked at the Young Centre and tell us a little bit about what your job has consisted of lately. I joined the Young Centre this past…
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It has been so interesting to work with Lorenzo as he designs a recording studio from the 1940s as the set for the radio-drama version of It’s A Wonderful Life….
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How long have you worked at Soulpepper and what has your job consisted of lately? It’s been less than one year, but I feel like I’m part of the family already! I’m responsible for filming…
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How long have you worked at Soulpepper and tell us a little bit about what your job consists of lately. I was first involved with Soulpepper as a summer student…
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