SHINE ON – Thoughts from Executive Director Emma Stenning, One Year On
Theatres have ghost lights for a reason. There was once a practical reality, of course, in keeping a dim glow in a place as trip-hazard-riden as a stage, but modern…
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We caught up with Soulpepper Academy designer Michelle Tracey, fresh from working on It’s a Wonderful Life, to tell us about upcoming projects she is engaged with: I am very…
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Award-winning director Daniel Brooks [A Doll’s House, 2016] is spending six weeks teaching the artists of the Soulpepper Academy. He sat down in the Young Centre atrium with Academy playwright…
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I’ve been thinking about why I’m inside of a theatre working on Chekhov’s plays and it probably has something to do with the epochal shift in dramatic writing that his…
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Donor history: I donated to Soulpepper at the end of 2016, and it was my first donation to the company. However, I have been donating to various charities since I…
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It’s always new. With theatre, with great writing, it’s always new. Old choices have to be reconsidered, new choices have to be made. Every moment has to be navigated through;…
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How long have you worked at the Young Centre and tell us a little bit about what your job has consisted of lately. I joined the Young Centre this past…
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It has been so interesting to work with Lorenzo as he designs a recording studio from the 1940s as the set for the radio-drama version of It’s A Wonderful Life….
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How long have you worked at Soulpepper and what has your job consisted of lately? It’s been less than one year, but I feel like I’m part of the family already! I’m responsible for filming…
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How long have you been a Soulpepper Supporter? I have been supporting Soulpepper almost 15 years. I have always been an avid theatre-goer and even considered at one point making…
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