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Although magicians are fond of saying that a magician is really an actor playing the part of a magician, I believe that magic – at least fine sleight-of-hand – has…

On his long performance history with Michael Shamata’s adaptation of A Christmas Carol: Twenty (ish) years ago, Deb (Drakeford) and I went out to New Brunswick to do A Christmas…

Like money in the pocket of an old jacket. That’s what Tricks is all about. For many, I am often the first magician that they have met in person. Even…

Donor history: I have been a supporter of Soulpepper for the last three years. How did you first learn about Soulpepper I first heard about Soulpepper a number of years…

Soulpepper’s Slaight Family Director Music talks about musical creation and the return of Spoon River. What is appealing to you about the musical format as a theatre artist? Combining story…

How long have you worked at the Young Centre and tell us a little bit about what your job consists of lately. I have been working at the Young/Soulpepper 5…

How did you first learn about Soulpepper? Ken: Through a very dear friend of mine who unfortunately died a number of years ago – Marilyn Michener, who was also a…

Marat/Sade is a huge ensemble piece which is rarely done on professional stage. How do you describe this play to others? The complete title of the play tells us the…

How long have you worked at the Young Centre/Soulpepper and tell us a little bit about what your job consists of lately. I started working at The Young Centre as…