SHINE ON – Thoughts from Executive Director Emma Stenning, One Year On
Theatres have ghost lights for a reason. There was once a practical reality, of course, in keeping a dim glow in a place as trip-hazard-riden as a stage, but modern…
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Soulpepper’s Slaight Family Director Music talks about musical creation and the return of Spoon River. What is appealing to you about the musical format as a theatre artist? Combining story…
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How long have you worked at the Young Centre and tell us a little bit about what your job consists of lately. I have been working at the Young/Soulpepper 5…
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How did you first learn about Soulpepper? Ken: Through a very dear friend of mine who unfortunately died a number of years ago – Marilyn Michener, who was also a…
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Marat/Sade is a huge ensemble piece which is rarely done on professional stage. How do you describe this play to others? The complete title of the play tells us the…
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How long have you worked at the Young Centre/Soulpepper and tell us a little bit about what your job consists of lately. I started working at The Young Centre as…
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Soulpepper’s Katie O’Connor interviews Yours Forever, Marie-Lou actor Suzanne Roberts Smith This fall Soulpepper presents the world premiere of Linda Gaboriau’s new English translation of Michel Tremblay’s Yours Forever, Marie-Lou….
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Soulpepper’s City Youth Academy is a six-week intensive summer training program for promising young artists in Toronto ages 16-19. Ten youth this summer will be given six weeks of skills…
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This fall, Soulpepper is presenting the return of one of its most successful production’s, The Play’s the Thing. Based on Ferenc Molnar’s 1926 Hungarian script and with a faithful adaption…
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How long have you worked at Soulpepper and tell us a little bit about what your job consisted of lately. I’ve been at Soulpepper for a little over a year…
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