We sat down with Gregory Prest and Michelle Monteith, the leads in Soulpepper’s holiday classic Parfumerie, to tell us about their characters and why the show remains an audience-favourite year…
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Although magicians are fond of saying that a magician is really an actor playing the part of a magician, I believe that magic – at least fine sleight-of-hand – has…
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On his long performance history with Michael Shamata’s adaptation of A Christmas Carol: Twenty (ish) years ago, Deb (Drakeford) and I went out to New Brunswick to do A Christmas…
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Like money in the pocket of an old jacket. That’s what Tricks is all about. For many, I am often the first magician that they have met in person. Even…
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Donor history: I have been a supporter of Soulpepper for the last three years. How did you first learn about Soulpepper I first heard about Soulpepper a number of years…
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Soulpepper’s Slaight Family Director Music talks about musical creation and the return of Spoon River. What is appealing to you about the musical format as a theatre artist? Combining story…
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How long have you worked at the Young Centre and tell us a little bit about what your job consists of lately. I have been working at the Young/Soulpepper 5…
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How did you first learn about Soulpepper? Ken: Through a very dear friend of mine who unfortunately died a number of years ago – Marilyn Michener, who was also a…
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Marat/Sade is a huge ensemble piece which is rarely done on professional stage. How do you describe this play to others? The complete title of the play tells us the…
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