SHINE ON – Thoughts from Executive Director Emma Stenning, One Year On
Theatres have ghost lights for a reason. There was once a practical reality, of course, in keeping a dim glow in a place as trip-hazard-riden as a stage, but modern…
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Anna Atkinson is a singer, multi-instrumentalist, composer and actor. She’s also a solo performer, bandleader, collaborator, sideman, session musician, and educator. For the past six years she has worked as…
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Five Questions for Miquelon Rodriguez, making his Soulpepper debut as Chester in Cowboy Versus Samurai How does it feel to join the Soulpepper Company? Being a part of this show…
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On his long performance history with Michael Shamata’s adaptation of A Christmas Carol: Twenty (ish) years ago, Deb (Drakeford) and I went out to New Brunswick to do A Christmas…
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Soulpepper’s Slaight Family Director Music talks about musical creation and the return of Spoon River. What is appealing to you about the musical format as a theatre artist? Combining story…
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Marat/Sade is a huge ensemble piece which is rarely done on professional stage. How do you describe this play to others? The complete title of the play tells us the…
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How long have you worked at the Young Centre/Soulpepper and tell us a little bit about what your job consists of lately. I started working at The Young Centre as…
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Soulpepper’s Katie O’Connor interviews Yours Forever, Marie-Lou actor Suzanne Roberts Smith This fall Soulpepper presents the world premiere of Linda Gaboriau’s new English translation of Michel Tremblay’s Yours Forever, Marie-Lou….
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Soulpepper’s Dora Award-winning set and lighting design for Of Human Bondage created by Resident Designer Lorenzo Savoini was selected to represent Canada this summer at the Prague Quadrennial of Performance…
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How long have you worked at Soulpepper and tell us what your job consisted of lately. Well, this is my second time at Soulpepper. I was the Director of Development…
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